Kenny Vance idolized the early doo-wop groups he saw practicing and performing on street corners in Brooklyn in the 1950s. They signed with Herald Records and recorded "Let Me Show You (Around My Heart)" with its B side, "When We Dance", in 1955. Soul and funk bands such as Zapp released the single ("Doo Wa Ditty (Blow That Thing)/A Touch of Jazz (Playin' Kinda Ruff Part II)"). [24][26] The Rainbows embellished the phrase as "do wop de wadda" in their 1955 "Mary Lee" (on Red Robin Records; also a Washington, D.C. regional hit on Pilgrim 703); and in their 1956 national hit, "In the Still of the Night", the Five Satins[27] sang across the bridge with a plaintive "doo-wop, doo-wah". program.[132]. [87] There, African American groups such as the Ravens, the Drifters, the Dominoes, the Charts, and the so-called "bird groups", such as the Crows, the Sparrows, the Larks, and the Wrens, melded rhythm and blues with the gospel music they had grown up singing in church. So, all things considered, this poll of doo-wop groups seeks toanswer the questions of "who are the best doo-wop bands of all time?" His album Modern Lovers 88 (1987), with doo-wop stylings and Bo Diddley rhythms, was recorded in acoustic trio format.[169]. [7], Doo-wop's characteristic vocal style was influenced by groups such as the Mills Brothers,[14] whose close four-part harmony derived from the vocal harmonies of the earlier barbershop quartet.[15]. Jake Carey passed away in 1996, and Zeke Carey died in 2001. [50] The Orioles were perhaps the first of the many doo-wop groups who named themselves after birds. In their book entitled "The Complete Book of Doo-Wop", co-authors Gribin and Schiff (who also wrote Doo-Wop, the Forgotten Third of Rock 'n' Roll), identify 5 features of doo-wop music: 1) it is vocal music made by groups; 2) it features a wide range of vocal parts, "usually from bass to falsetto"; 3) it includes nonsense syllables; 4) there is a simple beat and low key instrumentals; and 5) it has simple words and music. Doo Wop Groups The Rivingtons Clockwise from left: Carl White, Rocky Wilson Jr., Al Frazier, Sonny Harris The Rivingtons were a Southern California vocal quartet of the early 60s that hit big with two novelty records. WebQuiet Storm is a vocal harmony group specializing in Classic and Contemporary Rhythm and Blues and Soul. [73] Gordy wanted to promote a black style of music that would appeal to both the black and white markets, performed by black musicians with roots in gospel, R&B, or doo-wop. A sudden shift in its style began in the early 1950s with the importing of American rhythm and blues records to the island and the new availability of affordable transistor radios. [165], The R&B and doo-wop music that informed early rock 'n' roll was racially appropriated in the 1970s just as blues-based rock had been in the 1950s and 1960s. I was already a teacher by profession and I was searching for some B.Ed. [40] Racially integrated groups with both black and white performers included the Del-Vikings, who had major hits in 1957 with "Come Go With Me" and "Whispering Bells", the Crests, whose "16 Candles" appeared in 1958, and the Impalas, whose "Sorry (I Ran All the Way Home)" was a hit in 1959. The Chantels were the second African-American girl group to enjoy nationwide success in the US. As the pivotal recording mogul in the Detroit area, Battle was an important player in the independent label network. [29] By the mid-1950s, vocal harmony groups had transformed the smooth delivery of ballads into a performance style incorporating the nonsense phrase[30][23] as vocalized by the bass singers, who provided rhythmic movement for a cappella songs. Your reminders become cards that are easy to start and easy to finish. The Greatest Motown Artists Of All Time. test, which makes it an ideal choice for Indians residing These included the Calvanes,[81] the Crescendos, the Cuff Linx, the Cubans, the Dootones, the Jaguars, the Jewels, the Meadowlarks, the Silks, the Squires, the Titans, and the Up-Fronts. The original lineup from Louisville included Bobby Lester, Harvey Fuqua, Alexander Graves, and Prentiss Barnes, with guitarist Billy Johnson. Doo-wop was popular with California Mexican Americans, who were attracted in the 1950s to its a capella vocals; the romantic style of the doo-wop groups appealed to them, as it was reminiscent of the traditional ballads and harmonies of Mexican folk music. The meaning of DOO is dove. [46], Bobby Robinson, a native of South Carolina, was an independent record producer and songwriter in Harlem who helped popularize doo-wop music in the 1950s. [65], In 1945,[66] Joe Von Battle opened Joe's Record Shop at 3530 Hastings Street in Detroit; the store had the largest selection of rhythm and blues records in the city, according to a 1954 Billboard business survey. The Four Knights' "Take Me Right Back to the Track" (1945), the Cats and the Fiddle's song "I Miss You So" (1939),[16] and the Triangle Quartette's even earlier record "Doodlin' Back" (1929) prefigured doo-wop's rhythm and blues sound long before doo-wop became popular. [101], The heyday of the girl group era began in 1957 with the success of two teen groups from the Bronx, the Chantels and the Bobbettes. Like Charlie Brown and Yakety Yak by the Coasters, Smoke Gets in Your Eyes and The Great Pretender by the Platters, and Under the Boardwalk and On Broadway by the Drifters. The last doo-wop record to reach the top ten on the U.S. pop charts was "It's Alright" by Huey Lewis and the News, a doo-wop adaptation of the Impressions' 1963 Top 5 smash hit. [122], The Silhouettes' crossover hit "Get a Job", released in 1957, reached number one on the pop and R&B charts in February 1958, while Lee Andrews & the Hearts had hits in 1957 and 1958 with "Teardrops", "Long Lonely Nights", and "Try the Impossible". So the same thing started with rap groups around '76 or so. high tenor lead singers and deep voiced talking bass parts. [157] It was the small independent record companies that recorded, marketed, and distributed doo-wop music. The Four Coins, a Greek American doo-wop group from Pittsburgh, did a show in Kingston in 1958. [57], The city of Chicago was outranked as a recording center in the United States only by New York City in the early years of the music recording industry. It included songs by local bands such as the Heartbeats and the Medallions. [60], The Chicago doo-wop groups, like those in New York, started singing on street corners and practiced their harmonies in tiled bathrooms, hallways, and subways,[61] but because they came originally from the deep South, the home of gospel and blues music, their doo-wop sound was more influenced by gospel and blues. Doo-wop music is a genre that emanated from some of the biggest cities in the U.S. during the 1940s and 1950s. They contend that in the extremely competitive independent record company business during the postwar era, the practices of Jewish record owners generally were more a reflection of changing economic realities in the industry than of their personal attitudes. Doo-wop groups achieved 1951 R&B chart hits with songs such as "Sixty Minute Man" by Billy Ward and His Dominoes, "Where Are You?" Some say doo wop is a form of Having evolved from pop, jazz and blues, doo-wop influenced many of the major rock and roll groups that defined the latter decades of the 20th century, and laid the foundation for many later musical innovations. [94] Robinson founded or co-founded Red Robin Records, Whirlin' Disc Records, Fury Records, Everlast Records, Fire Records and Enjoy Records. [51], The sexual innuendo in the Orioles' songs was less disguised than in the vocal group music of the swing era. Baltimores Orioles (no pun intended) generally are considered the first of the doo-wop vocal groups, and, as such, obviously stand as one of the genres greats. [186] After World War II, the black population of the metro grew to about 530,000 by 1960. [119], Black doo-wop groups had a major role in the evolution of rhythm and blues in early 1950s Philadelphia. Many of these vocal groups got together in secondary schools such as West Philadelphia High School, and performed at neighborhood recreation centers and teen dances. It's kids to a great extent mixed-up and confused reaching out to express themselves. If you know enough about the genre, please vote based on the quality of the bands' music (albums and singles) instead of just voting for the most popular or famous doo-wop groups that you might've heard of, but never really listened to. [86] The large numbers of blacks who had migrated to New York City as part of the Great Migration came mostly from Georgia, Florida, and the Carolinas. By the late 1950s and early 1960s, many Italian-American groups had national hits: Dion and the Belmonts scored with "I Wonder Why", "Teenager in Love", and "Where or When";[37] the Capris made their name in 1960 with "There's a Moon Out Tonight"; Randy & the Rainbows, who charted with their Top #10 1963 single "Denise". [138] The Wailers recorded an homage to doo-wop in 1965 with their version of Dion and the Belmonts' "A Teenager in Love". The song quickly charted as the number one R&B song in the United States and reached number six on the pop chart in 1956,[96][97] becoming the number one pop hit in the United Kingdom as well. [34], Teenagers who could not afford musical instruments formed groups that sang songs a cappella, performing at high school dances and other social occasions. It is heard later in the Clovers' 1953 release "Good Lovin'" (Atlantic Records 1000), and in the chorus of Carlyle Dundee & the Dundees' 1954 song "Never" (Space Records 201). Doo-wop music allowed these youths not only a means of entertaining themselves and others, but also a way of expressing their values and worldviews in a repressive white-dominated society, often through the use of innuendo and hidden messages in the lyrics. [59] The record labels, record distributors, and nightclub owners of Chicago all had a part in developing the vocal potential of the doo-wop groups, but Chicago doo-wop was "created and nourished" on the street corners of the city's lower-class neighborhoods. The white power structure in American society and some executives in the corporately controlled entertainment industry saw rhythm and blues, rooted in black culture, as obscene,[153] and considered it a threat to white youth, among whom the genre was becoming increasingly popular. MBA is a two year master degree program for students who want to gain the confidence to lead boldly and challenge conventional thinking in the global marketplace. Whether existing IT infrastructure or event-specific components such as apps or event platforms - doo connects them all. Vocal group singing was the most popular style of rhythm and blues in the early 1950's, the first music to be called "rock & roll" and the favorite of the the teenagers and disc jockeys. Revival television shows and boxed CD sets such as the "Doo Wop Box" set 13 have rekindled interest in the music, the artists, and their stories. rising to no. This music was a vital source for the youth music called rock 'n' roll. In 1949, Jerry Wexler, a reporter for Billboard magazine at the time, reversed the words and coined the name "Rhythm and Blues" to replace the term "Race Music" for the magazine's black music chart. exams to Degree and Post graduation level. [8], White artists such as Elvis Presley performed and recorded covers of rhythm and blues songs created by African American artists that were marketed to a white audience. By 1948, RCA Victor was marketing black music under the name "Blues and Rhythm". The Belmonts. [44] The Royal Theatre in Baltimore and the Howard in Washington, D.C. were among the most prestigious venues for black performers on the so-called "Chitlin Circuit",[45] which served as a school of the performing arts for blacks who had migrated from the deep South, and even more so for their offspring. Independent record labels owned by black entrepreneurs such as Dootsie Williams and John Dolphin recorded these groups, most of which had formed in high schools. During the Great Migration, the black population of Philadelphia increased to 250,000 by 1940. ", but whether because he was ill or because producer George Goldner thought that newcomer Frankie Lymon's voice would be better in the lead,[39] Santiago's original version was not recorded. successful learners are eligible for higher studies and to attempt competitive It eventually reached number 3 on both the R&B Best Sellers chart and Billboard Top 100,[133][134] and also reached the top five on both the sales and airplay charts. They used to go out and play at night and kids would be out there dancing. Developing a conducive digital environment where students can pursue their 10/12 level, degree and post graduate programs from the comfort of their homes even if they are attending a regular course at college/school or working. "Only You" was released in June 1955 by pop group the Platters. Mars says he has "a special place in [his] heart for old-school music".[187]. Vee-Jay signed the Dells, the El Dorados, the Magnificents, and the Spaniels, all of whom achieved national chart hits in the mid-1950s. Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a IviiiV-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression IviIVV, so influential that it is sometimes referred to as the '50s progression. Entdecke TJ Lubinsky prsentiert Original Masters DOO WOP GENERATIONEN 6-CD Set in groer Auswahl Vergleichen Angebote und Preise Online kaufen bei eBay Kostenlose Lieferung fr viele Artikel! Doo-wop was a precursor to many of the African-American musical styles seen today. [136][128], The history of modern Jamaican music is relatively short. The first hit record with "doo-wop" being harmonized in the refrain was the Turbans' 1955 hit, "When You Dance" (Herald Records H-458). [55] In 1952, the Swallows released "Beside You", their second national hit, which peaked at number 10 on the R&B chart. Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s,[2] mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. Webin fact, motown s premier male group of the 1960s and 70s, the temptations, had a vocal sound that was based in this classic doo-wop style, with the ink spots tenor lead singer, Issued locally on the Motown Records label, it was licensed to and released nationally by Chess Records because the fledgling Motown Record Corporation did not, at that time, have national distribution. [71] Strong, like other R&B and doo-wop tenors of the time, was profoundly influenced by Clyde McPhatter, lead singer of the Dominoes and later of the Drifters. [147], The synthesis of music styles that evolved into what is now called rhythm and blues, previously labeled "race music" by the record companies, found a broad youth audience in the postwar years and helped to catalyze changes in racial relations in American society. [135] In 1958, Danny & the Juniors had a number-one hit with "At the Hop" and their song "Rock and Roll Is Here to Stay" reached the top twenty. With excellent customer service, stable trading environment, competitive trading costs, best trade execution and a diverse range of trading products, Doo Prime is committed to becoming your personal and [17] While these features provide a helpful guide, they need not all be present in a given song for aficionados to consider it doo-wop, and the list does not include the aforementioned typical doo-wop chord progressions. These programs brought back, live on stage, some of the better known doo-wop groups of the past. Each card shows up in a stack instead of a list so you can focus on one thing at a time. Some doo-wop groups were racially mixed. Other Italian-American doo-wop groups were the Earls, the Chimes, the Elegants, the Mystics, the Duprees, Johnny Maestro & the Crests, and the Regents. All of a sudden, all you could hear was, hip hop hit the top don't stop. Arthur Crier, a leading figure in the doo-wop scene in the Morrissania neighborhood,[107] was born in Harlem and raised in the Bronx; his mother was from North Carolina. "He's So Fine" hit No. LITTLE WILLIE JOHN/GROUP 45RPM '59 KING NO REGRETS DOO WOP BALLAD PROMO M- VINYL . They were originally called the Crazy Sounds, but were renamed by disc jockey Alan Freed as the Moonglows. Doo-wop's influence continued in soul, pop, and rock groups of the 1960s, including the Four Seasons, girl groups, and vocal surf music performers such as the Beach Boys. WebDoo Wop music from the 1970s | Discogs All 2,384 Release 328 Master Artist Label Search Marketplace Exploring Doo Wop from the 1970s 1 50 of 2,712 Prev Next Sort Their Various Artists (Doo Wop Compilations) CD 11.70. It's not a question that can be answered easily. by Barry Mann), in 1961. His style reflected the optimism of young black Americans in the postmigration era. Although the ultimate longevity of doo-wop has been disputed,[182][183] at various times in the 1970s1990s the genre saw revivals, with artists being concentrated in urban areas, mainly in New York City, Chicago, Philadelphia, Newark, and Los Angeles. Members of the band were experienced gospel singers in ensembles dating to the 1940s, and were one of the oldest groups to record during the era. 3 on the R&B charts and reaching the Top 40 on the pop charts. [150] Black and white young people both wanted to see popular doo-wop acts perform, and racially mixed groups of youths would stand on inner city street corners and sing doo-wop songs a capella. The Du Droppers formed in Harlem in 1952. Much of the album had a doo-wop flavor. His string of hits included: "I Promise to Remember", "The ABC's of Love" and "I'm Not a Juvenile Delinquent". [85], Early doo-wop music, dating from the late 1940s and early 1950s, was especially popular in the Northeast industrial corridor from New York to Philadelphia,[86] and New York City was the world capital of doo-wop. The genre would see another resurgence in popularity in 2018, with the release of the album "Love in the Wind" by Brooklyn-based band, the Sha La Das, produced by Thomas Brenneck for the Daptone Record label. Ralf von Appen, Markus Frei-Hauenschild (2015). Songwriters We Would Bring Back from the Dead, Who to See Before They (or You) Kick the Bucket. Pages in category "Doo-wop groups" The following 195 pages are in this category, out of 195 total. Doo wop artists were vocal groups, with each singer in the group taking a different part that interweaved with the other singers. [144] Bunny Wailer cited Frankie Lymon and the Teenagers, the Platters, and the Drifters as early influences on the group. Their lead singer, Sonny Til, had a soft, high-pitched tenor, and like the rest of the group, was still a teenager at the time. [164] A few years later, Reed worked as a staff songwriter writing bubblegum and doo-wop songs in the assembly-line operation at Pickwick Records in New York. program which is essential for my career growth. Battle's record labels included JVB, Von, Battle, Gone, and Viceroy;[68][69] he also had subsidiary arrangements with labels such as King and Deluxe. [106], Public School 99, which sponsored evening talent shows, and Morris High School were centers of musical creativity in the Bronx during the doo-wop era. Young people of other ethnicities were listening to rock 'n' roll, but it was Italian Americans who established themselves in performing and recording the music. HBO Max has just released a reimagined spinoff of the popular, long-running kids show "Scooby-Doo." [121] "When We Dance" became a national hit, 21st Century Doo Wop. [28], The vocal harmony group tradition that developed in the United States post-World War II was the most popular form of rhythm and blues music among black teenagers, especially those living in the large urban centers of the eastern coast, in Chicago, and in Detroit. Online tuition for regular school students and home schooling children with clear options for high school completion certification from recognized boards is provided with quality content and coaching. It climbed to number one on the RJR charts, where it spent some six weeks. Bruno Mars and Meghan Trainor are two examples of current artists who incorporate doo-wop music into their records and live performances. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. This list may not reflect recent changes. Educational programs for all ages are offered through e learning, beginning from the online That said, who are best doo-wop groups of all time? [72], In late 1957, seventeen-year-old Robinson, fronting a Detroit vocal harmony group called the Matadors, met the producer Berry Gordy, who was beginning to take up new styles, including doo-wop. [51] Their song "Will You Be Mine", released in 1951, reached number 9 on the US Billboard R&B chart. Lillian Leach, lead singer of the Mellows from 1953 to 1958, helped pave the way for other women in doo-wop, soul and R&B. [46] The Orioles were soon displaced by newer groups who imitated these pioneers as a model for success. DEMO ANFRAGEN MEHR ALS 1.600 KUNDEN [151][152][149], The development of rhythm and blues coincided with the issue of racial segregation becoming more socially contentious in American society, while the black leadership increasingly challenged the old social order. [160], Deborah Chessler, a young Jewish sales clerk interested in black music, became the manager and songwriter for the Baltimore doo-wop group the Orioles. Groups like the Castelles and the Turbans helped develop the music with their tight harmonies, lush ballads, and distinctive falsettos. Bill Kenny, lead singer of the Ink Spots, is often credited with introducing the "top and bottom" vocal arrangement featuring a high tenor singing the intro and a bass spoken chorus. [145], The harmonizing of the American doo-wop groups the Drifters and the Impressions served as a vocal model for a newly formed (1963) group, the Wailers, in which Bob Marley sang lead while Bunny Wailer sang high harmony and Peter Tosh sang low harmony. The sound they helped develop, later called '"doo-wop", eventually became a "sonic bridge" to reach a white teen audience. Mixing vocal harmony with mainstream R&B, some of the best doo-wop artists were considered the very first pop vocalistsduring those early years. Reed recorded his first lead vocals in 1962 on two doo-wop songs, "Merry Go Round" and "Your Love", which were not released at the time. Towards the aim, Perfect E learn has already carved out a niche for itself in India and GCC countries as an online class provider at reasonable cost, serving hundreds of students. Doo-wop has complex musical, social, and commercial origins. Doo-wop is popular among barbershoppers and collegiate a cappella groups due to its easy adaptation to an all-vocal form. You must there are over 200,000 words in our free online dictionary, but you are looking for one thats only in the Merriam-Webster Unabridged Dictionary.. Start your free trial today and get unlimited access to America's largest dictionary, with:. Usually, doo-wop groups consisted of black singersalong the East Coast who delicately balanced each other out vocally, with theirsongs consistingofhigh tenor lead singers and deep voiced talking bass parts. Born in the African-American neighborhoods of mostly northeastern cities in the 40s and 50s, doo Their biggest hit was "Church Bells May Ring", featuring Neil Sedaka, then a member of the Linc-Tones, on chimes. Freed's various radio and stage shows had a crucial role in creating a market for Italian doo-wop. [109] Many years later he observed that there was a shift in the music sung on the streets from gospel to secular rhythm and blues between 1950 and 1952. Some groups cut demos at local studios and played them for recording producers, with the aim of getting signed to a record deal. [82], The Jaguars, from Fremont High School, was one of the first interracial vocal groups; it consisted of two African Americans, a Mexican American, and a Polish-Italian American. Among the first groups to perform songs in the vocal harmony group tradition were the Orioles, the Five Keys, and the Spaniels; they specialized in romantic ballads that appealed to the sexual fantasies of teenagers in the late 1940s and early 1950s. [118], The migration of blacks to Philadelphia from the southern states of the US, especially South Carolina and Virginia, had a profound effect not only on the city's demographics, but on its music and culture as well. They were recorded by small independent rhythm and blues record labels, and occasionally by more established labels in New York. Doo-wop's style is a mixture of precedents in composition, orchestration, and vocals that figured in American popular music created by songwriters and vocal groups, both black and white, from the 1930s to the 1940s. [170] This was followed by several other white artists covering doo-wop songs performed by black artists, all of which scored higher on the Billboard charts than did the originals. In the Delta Rhythm Boys' 1945 recording, "Just A-Sittin' And A-Rockin", it is heard in the backing vocal. Early punk rockers sometimes portrayed these nostalgic 1950s tropes with irony and sarcasm according to their own lived experiences, but they still indulged the fantasies evoked by the images. He sought artists who understood that the music had to be updated to appeal to a broader audience and attain greater commercial success. The streamlined edit screen encourages you to create tasks that can fit on a digital index card. The Doo-Wop Groups Frankie Lymon and the Teenagers The Platters The dawn of the rock and roll era was signaled by the vocal group sound. Lists that rank the best bands and musicians in every genre. DOO: Director of Operations (various organizations) DOO: Driver Only Operation: DOO: Department Organization Order: DOO: Developer, Owner and Operator: DOO: District Operations Office (US Navy) DOO: District Ordnance Officer (rank; US DoD) DOO: Department of Defense Originating Office (US DoD) DOO: Drustvo s Ogranicenom Odgovornoscu (Croatian: Limited Maestro said that he became interested in R&B vocal group harmony listening to the Flamingos, the Harptones, and the Moonglows on Alan Freed's radio show on WINS in New York. Had a great experience here. The genre reached the self-referential stage, with songs about the singers ("Mr. Bass Man" by Johnny Cymbal) and the songwriters ("Who Put the Bomp?" Up tempo doo-wop groups such as the Monotones",[174] the Silhouettes, and the Marcels had hits that charted on Billboard. Frequently, the backing vocalists sang nonsense words as rhythm, and the genre's name derives from this trait. Digital Forensics. [173] In 1956, Frankie Lymon and the Teenagers appeared on the Frankie Laine show in New York, which was televised nationally, performing their hit "Why Do Fools Fall in Love?". [77] "Bad Girl" was the group's first national chart hit,[78] reaching #93 on the Billboard Hot 100. WebThe Doo-wop groups in 1950s, 60, and 70s sometimes 80s. A King Records talent scout discovered the Swallows as they were rehearsing in Goldstick's record store. On this Wikipedia the language links are at the top of the page across from the article title. The Orioles helped develop the doo-wop sound with their hits "It's Too Soon to Know" (1948) and "Crying in the Chapel" (1953). But, our concern was whether she could join the universities of our preference in abroad. helped me to continue my class without quitting job. [168], Jonathan Richman, founder of the influential proto-punk band the Modern Lovers, cut the album Rockin' and Romance (1985) with acoustic guitar and doo-wop harmonies. [144], In 1959, while he was a student at Kingston College, Dobby Dobson wrote the doo-wop song "Cry a Little Cry" in honor of his shapely biology teacher, and recruited a group of his schoolmates to back him on a recording of the song under the name Dobby Dobson and the Deltas on the Tip-Top label. This list may not reflect recent changes. He was born in Harlem, where he began singing doo-wop songs with his friends on the streets. Members: Carl White - lead John "Sonny" Harris Al Our Degree programs are offered by UGC approved Indian universities and recognized by competent authorities, thus successful learners are eligible for higher studies in regular mode and attempting PSC/UPSC exams. [158] For example, Jack and Devora Brown, a white Jewish couple in Detroit, founded Fortune Records in 1946, and recorded a variety of eccentric artists and sounds; in the mid-1950s they became champions of Detroit rhythm and blues, including the music of local doo-wop groups. For other uses, see Doo Wop (disambiguation). Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated among African-American youth in the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. [80][83], In 1960, Art Laboe released one of the first oldies compilations, Memories of El Monte, on his record label, Original Sound. Recording mogul in the postmigration era an important player in the backing vocalists sang nonsense words Rhythm... Records and live performances '' the following 195 pages are in this category, out of total... '76 or so history of modern Jamaican music is a genre that emanated from of... A record deal Scooby-Doo. [ 119 ], the history of modern Jamaican music relatively... Wikipedia the language links are at the top do n't stop released June. 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